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Tag: Jackrabbit

Dummies for Facebook Ads

Wellnow, I just finished up my first experience with buying Facebook ads to promote Jackrabbit, and I’ve come away nonplussed. And that’s being generous.

To be fair, I’ve long had an attitude problem towards Facebook. In fact, I had bailed on it entirely after the Cambridge Analytica news broke. I reluctantly joined back up when it became apparent that it would be impossible to promote the book or really do any sort of business without having a Facebook account. So I held my nose and did it.

That was pretty much my attitude when it came to running ads on Facebook. I was unhappy enough with giving Mark Zuckerberg my personal information, now I was going to have to give him some actual money, as well. We were not amused.

Still, it takes money to make money, and since there was my folding green on the line I felt that some research was required. I read a book and worked through a LinkedIn Learning course until I felt like I had a solid grasp on the basics. I set up the graphics, developed what seemed to be a good target audience, wrote some copy and submitted the ad.

It was rejected.

Facebook has a policy whereby they won’t accept your ad if the text in the graphic takes up more than 20% of the space. My response: so what? If I want to run an ad that is nothing but the words “SUCK IT, MARK” is 96 point Arial Black, what difference does that make to Facebook? Their nominal reason is that ads with a lot of text don’t perform that well, but I suspect that’s just a cover story.

Here’s another bit of Facebook advertising trivia that I found out the hard way: you can’t drive traffic from a Facebook ad directly to an Amazon listing. Do what? I figure that this should be in BIG BOLD LETTERS somewhere on the Facebook ads info page, but I had to go through the entire process of creating an ad only to have it rejected because I had to put a snippet of FB code called a “pixel” on the landing page in the ad. Not surprisiingly, Amazon is not keen on having FB pixels on their site. Go figure.

To accommodate these unexpected challenges, I changed the ad graphic to have less text and pointed the ad at the Jackrabbit page, which now included the Facebook pixel. (Jeebus only knows what that little hunk of code is doing besides tracking my click-through rate.) With these changes, the ad was accepted. I had budgeted the minimum as this was my first ad – five bucks a day for eight days. I submitted the ad and waited for the sales figures to skyrocket.

I was particularly optimistic, as the same week the ad was running, I was also had an article about Dillinger featured on CrimeReads.com, and of course I plugged the book in the article. I figured that I would have a nice little sales bump between the two promotional bits running that week. I waited until the end of the week to check the sales figures, so as not to spoil the surprise. Well, I was surprised all right: that week I sold all of three copies.

Three. Fucking. Copies.

Needless to say, I was disappointed and (obviously) kinda pissed. Even making that assumption that all three sales came from the Facebook ads and not the CrimeReads article (not really a valid assumption, BTW), that means I spent forty dollars on advertising to bring me about seven bucks in royalties.

This is not what you would call a sustainable business model.

So, back to the drawing board. If anyone is actually reading this blog, they will have no doubt detected a certain note of disappointment in my recent posts about how well my totally excellent self-published novel has been selling. Clearly, I’m doing something wrong here. So, once again I will suck it up and spend more time trying to pick apart what I did the first time around that resulted in such a miserable return on investment. No doubt that there’s some other smart guy out there willing to take my money to tell me what I’m doing wrong.

I bet they won’t even care if the text in my ad graphic exceeds 20%.

Crawford on CrimeReads

montage of John Dillinger images

I got a nice surprise this morning when I discovered that an essay I had written about the endurance of the John Dillinger mythos was posted as the feature article on CrimeReads.

You can read it HERE.

I was especially flattered as CrimeReads is a well-respected crime book blog; an offshoot of the uber-respected LiteraryHub website. Big love to them for giving me a chance to show off my writing (and, of course, flog Jackrabbit), while other, less-prestigious book review sites gave me the cold shoulder. Take that, “Uncle Bubba’s Best Bad Guy Book and Monster Truck Video Reviews”! You missed out.

The Jackrabbit Rests in Peace…for Now

Dillinger’s body prior to burial

The September 16 date for exhuming John Dillinger’s body has come and gone – and he continues to rest in peace, at least for now. In previous posts (here and here), I outlined the effort spearheaded by Dillinger nephew Michael Thompson to have his famous uncle’s boy disinterred for DNA testing. Now it seems as if the planned exhumation is on indefinite hold.

The exhumation was announced shortly after the 85th anniversary of the Biograph shooting that allegedly took down the famous gangster. The Indiana State Department of Health had approved a request by Thompson to disinter Dillinger’s body. The reason given was to establish once and for all whether or not it was John Dillinger in the grave. For decades, rumors had circulated that it hadn’t been Dillinger who was gunned down outside the movie theater in Chicago, but rather a look-alike. This “wrong man” theory had been supported by some fascinating anecdotal evidence, and Thompson claimed that he wanted to prove or disprove the theory.

Shortly after the announcement, it was revealed that the drive to dig up the Jackrabbit was connected with a History Channel documentary on the life and crimes of John Dillinger.

Then things started to get weird. Surprise!

First, there were other Dillinger relatives who were opposed to the exhumation. Dillinger great-nephew Jeff Scalf, who has some manner of legal control over Dillinger’s name and likeness, was adamantly opposed. “It’s my opinion that this effort was done for 15 minutes of fame and 30 pieces of silver,” he said. 

Then Crown Hill Cemetery started to get cold feet. “We also have concerns that the complex and commercial nature of this exhumation could cause disruption to the peaceful tranquility of the Cemetery and those who are visiting to remember their loved ones.” This is a legitimate concern, as accessing Dillinger’s remains would involve a fairly robust construction effort. Concerned about grave tampering, Dillinger’s father had his body reburied under huge slabs of concrete and scrap metal shortly after the initial burial in 1934.

Not to be thwarted, Thompson filed an injunction against Crown Hill to compel them to cooperate with the exhumation. Thompson’s attorneys claimed that Crown Hill’s objections were disingenuous. They stated, “Thompson and others in his family should not be prohibited from confirming the identity of their uncle merely because he is infamous. If identity is confirmed, Thompson and all other descendants of the deceased can put to rest their legitimate questions about identity.” A hearing is scheduled for October 1 to discuss the case.

In the latest twist, the History Channel announced on September 11 that they would no longer be associated with the documentary project. No reason was given. Two days later, Thompson announced that he planned on moving forward with the project. Personally, I’m not sure if that will happen without the History Channel support. I think that the logistics involved in getting around John Sr.’s tamper-deterrent measures may require some outside financing. Perhaps some sort of “angel investor” will appear to fill the void.

The whole thing has been – and continues to be – a soap opera. I’m sure that the lack of consistent explanation from Crown Hill Cemetery and the History Channel about their sudden withdrawal from the project will fuel further conspiracy theories. I suspect that there will be a few more chapters to play out, but I think this drama is headed towards denouement.

At the end of the day, I think that maybe it wasn’t that good of an idea in the first place. Of course, I’d love to really know whether or not John Dillinger is in the grave with his name on it. And as an author who has just published a book about Dillinger, I would welcome the free publicity attendant to such a spectacle. However, the idea of disturbing someone’s remains for the sake of a TV documentary never seemed right.

Let Johnnie D. rest in peace.

Labor Day Read – FREE!

There’s nothing better than a good read on a long summer weekend. For Labor Day, the Jackrabbit eBook will be available for free at Amazon on Friday, August 30 and Saturday, August 31J. Enjoy a great summer read, and please leave a review at Amazon.com.

Dear Powell’s

One of the things that I really love about Portland is Powell’s Bookstore. The main “City of Books” store is an entire city block downtown. The satellite store out on Hawthorne would put most other bookstores in the shade. So I was excited at the prospect of getting my new novel Jackrabbit into my local Powell’s.

This being Portland, I know a number of other self-published authors, and had gotten mixed messages about how amenable Powell’s was to providing shelf space for local indie authors. My one novelist friend said that they had bought two or three copies, albeit grudgingly. She warned that it was all political, and that you had to know someone to really get them to buy a few extra copies. Another, more optimistic friend said I should just talk to the book buyer, tell him I was a local author, and he’d pick up eight copies, no problem.

I figured I’d try to be official, and call the main business number, and eventually got shunted to a lengthy recording that went on about distribution channels and discount rates and other stuff I didn’t want to deal with. A search through the website resulted in the same message:

This was of no use, so I went by the local Powell’s and talked to the book-buyer on duty. According to my friends who do a little book dealing on the side, Powell’s used to be very generous when it came to buying used books. Then things changed, and they became much more selective about what they bought, and more parsimonious in what they paid. This change in values led to some ugly scenes at the book purchaser desk, and some of the book buyers had to become hard-hearted to be able to do their job. Anyway, the book buyer politely listened to my spiel, and immediately whipped a little leaflet on me with the exact same information as the website and the phone recording, except that is was headered “Dear Author,”

Mentally, I was compelting the sentiment as “Dear Author, Fuck you.” I think it was the snail mail address that drove that point home. Nope, this is so unimportant to us that we’re not even going to bother setting up an email account. Gonna make you waste a stamp.

So I did. What the hell, I’m supposed to be a writer, so I wrote a letter and sent that in. In for a penny, et cetera. I wasn’t particularly hopeful that I would get a response, and was a little bit pissy about it, too. A friend who works at one of the airport Powell’s emailed asking if I had approached Powell’s – “we love our local authors!” she said. Well, ya coulda fooled me, I replied. Like I said, I was pissy.

I’m sure a high-profile bookstore like Powell’s gets approached by numerous self-published writers who want their doggerel in the famous bookstore, and I can understand the need to have some sort of screening process set up to remove the chaff quickly. Still, it would have been nice if there was some bone they’d be willing to throw to us Portland-based scribblers.

Then about a day later, I discovered that Powell’s was already listing Jackrabbit. A friend of mind said she had just received her copy and was looking forward to reading it. When I asked her where she had bought it, she told me that she had ordered it through Powell’s website. I checked, and sure enough, they had the book listed and supposedly had 20 copies sitting in a remote warehouse.

After all the grousing that I had done, turns out Powell’s had been responsible for a sizable chunk of all of the hard copy sales already. How? Amazon. I could tell by the way the description of the book was written that it had come directly from the Amazon website. Then I remembered that I had signed up for something called KDP Expanded Distribution. This allows Amazon to make a book available to booksellers and libraries.

I’m still waiting to see if I will get a reply from my letter. It would be nice if they would actually display the book in one of the brick and mortar stores – preferably the one on Hawthorne with the hard-nosed book buyer. In the meantime, I will just keep flogging the book wherever I can.

Dillinger Grave Exhumation Update

Who would have thought that the simple disinterment of the corpse of a notorious gangster would turn into such a soap opera?

Sure enough, the announced re-surfacizing of the remains of John Dillinger has sparked controversy in the Dillinger community. John Dillinger was married only briefly, and had no children (that we know of). However, he had a sister and a number of half-siblings, many of whom went forth, were fruitful and multiplied. Now Dillinger has yea number of blood relatives in the Midwest, and thrice-yea number of people claiming to be blood relatives. All of them seem up in arms about John Dillinger’s disinterment.

The ostensible reason for this remains-disturbing is to prove once and for all the identity of the body buried in Lot 94, Section 44 of Crown Hill cemetery in Indianapolis. This was announced at the end of July, as I mentioned in an earlier post. Of course, this was of acute interest to me, as I had just published a novel about John Dillinger called Jackrabbit. One of the main plot points of Jackrabbit was that Dillinger had arranged for a body double to cover a getaway to Mexico.

The current imbroglio started when one of Dillinger’s nephews, Michael Thompson, applied with the Indiana health department to disinter his famous uncle’s remains. This was somehow connected with the History Channel, which is working on a documentary about Dillinger. Did money exchange hands? Sure, why not? (Actually, I have no idea. However, I’m a cynical bastard, so I buy in to the notion that HC flashed their big cable-history wad to get things moving.)

Of course, not all of Dillinger’s relatives and demi-relatives were happy about this turn. Dillinger great nephew Jeff Scalf said he it was “despicable” and “appalling” that the exhumation was announced. Scalf has some legal interest in and control of the Dillinger name and image, as he formed Dillinger LLC.

Scalf was presumably fairly happy when Crown Hill cemetery announced its opposition to the planned disinterment. They cited concerns about maintaining the integrity of the grounds and the possibility of upsetting relatives visiting the graves of loved ones during the disinterment. Both seem like legitimate concerns, given that 5,000 pounds of concrete and scrap metal supposedly cap the grave, put there to deter grave robbers. Removal of such an edifice will likely be a major undertaking.

The latest turn in the drama is that Michael Thompson is seeking a court order for the cemetery to cooperate with the planned exhumation. What’s next? Well, I don’t know, but I can’t help but think that John Dillinger is somewhere looking over all this with a cracked grin on his face.

In Today’s Publishing Environment?

I was reminded recently about how I came to the decision to self-publish Jackrabbit. Basically, I didn’t want to beat my head against the wall trying to go the traditional publishing route. It was summed up pretty well in a recent episode of the Simpsons (S30E05; yeah, I’m a huge Simpsons geek). I the episode, a salesman is trying to sell Homer on the merits of a self-driving car:

Salesman: Yeah, you’re free to do whatever you like, Homer.

Homer: Can I text while it’s driving?

Salesman: You can write a novel while you’re driving.

Homer: Whoa, whoa, whoa, whoa! In today’s publishing environment?

The Simpsons, “Baby You Can’t Drive My Car”

I laughed my ass off at that line, and had to explain to my wife why I thought it was so funny: because today’s publishing environment sucks.

Shortly after the first draft, I made a semi-concerted effort to find an agent to sell the manuscript. I quickly ran up against two obstacles: the query letter, and the literary agents themselves.

The query letter is the letter you send to a prospective agent to get them interested in flogging your book to a publisher. Apparently, they get a ton of these things a day, and you really have to put together something compelling to get them to read past the first sentence or two.

In fact, I found a website run by an agent that does nothing but critique people’s query letters. However, in order to get your query letter considered for a crit on the site, there were a whole buncha hoops you had to jump through first. So, in order to supplicate an agent to get help so you could supplicate another agent, you had to write and re-write. Good practice, but the whole process was too “meta” for me. My interest in this fizzled quickly.

The thing that put the nail in the coffin was when I actually met a couple of literary agents. I’ll tread softly here, since it would be counterproductive to alienate some of the parties involved.

There is a fairly prominent writers group in the area, that hosts an annual conference here in town. The admission price is pretty steep, but if you volunteer to work there, they’ll knock 50% off the price. Being a cheapskate, I went the volunteer route. The only drawback was that I had to work four hours a day as part of the commitment.

It became pretty obvious to me that one of the main focuses of the convention – if not THE main focus – was the paid pitches. For twenty-five bucks, you got eight (8) minutes of face time with an agent to pitch your book or screenplay. There was an extensive catalog of agents, and you could pick ones that repped your genre, etc. This went on all day long throughout the conference. Then every ten minutes, they would usher a herd of would-be authors into the same room they used for the lunches, you would find your agent’s table, and give your pitch.

At that point, I did not have a whole lot of extra cash to throw around, so I was reluctant to spend more money than I already had. Still, it seemed like a good thing to at least try, so I found an agent who seemed like a likely bet (repped crime fiction, specifically), signed up and waited my turn.

In the meantime, there were other sessions where people would help you refine your pitch I went to a couple of these, and came up with what I thought was a pretty good pitch. (It ended up being the basis for the blurb for Jackrabbit, actually.) So I was psyched to go and pitch my book, as any agent who was worth half a damn would immediately recognize my brilliance and the book’s sales potential and sign me on the spot.

So I rolled in and gave my pitch, and the agent responded by saying, “Why should I care about John Dillinger? He was a killer.”

Huh?

I was so blown out by this response, that I really didn’t know what to say. I think we ended up arguing for the rest of the eight minutes, although the details are still hazy. I just remember leaving the session in a stuttering rage.

It was one of those situations where you come up with the perfect response ages after it’s too late to employ it. And the more I thought about it, the angrier I got. My response was, basically: “Yeah, people hate reading about killers and criminals. That’s why the bookstore shelves are crammed with bios of Mother Teresa and Albert Schweizer! Not a single book about Jeffrey Dahmer or John Wayne Gacy to be found!”

I mean, this person was an agent that allegedly repped crime books; she should know good and damn well that murderers sell, big time. This realization made me even angrier – she had gotten me with a “gotcha” question that was completely counterproductive. Fuck that noise! I was paying for her time to the tune of $150/hour. I should not have been treated like I was a student at an MFA crit. If she wasn’t interested in representing that book, she should have at least had the professionalism to say so, and perhaps recommended me to another agent who knew that killers sold books.

Also, Dillinger was never convicted of murder. Accused, yes – but not convicted.

Anyway, that episode pretty much poured piss on the last ember of my desire to pursue a traditional publishing route. Perhaps it was for the best, although I sometimes have to forcibly remind myself of that when I’m going through the promotional paces required get a self-published book in front of readers’ noses. Then again, if it means I don’t have to deal with literary agents, it’s probably worth it.

The Ghost of Dillinger’s Corpse

Just a week after I released Jackrabbit, a novel about John Dillinger, he is back in the news again. In fact, he’s all over it. On Monday, it was announced that Dillinger’s nephew had petitioned for the gangster’s body to be exhumed from the cemetery in Indianapolis for examination. Two of the latest stories, from CBS and the New York Times have good information. As August is typically a slow news month, I expect to see more. (Oddly enough, there’s been nothing in Oregonian so far, but it has been in many other small-market newspapers. My Dad called me from Raleigh to let me know that the News and Observer ran a piece.)

The putative reason for this exhumation was initially pretty hazy. Over the last day or so, it has come out that the relatives “have evidence” that it’s not really John Dillinger buried in the grave with his name on the tombstone. This is nothing new – rumors of the “wrong man” being killed in Dillinger’s place have been circulating for ages. In fact, it’s a major plot point in Jackrabbit. I had heard the stories about the “wrong man” since junior high school, and wanted to explore how the switch may have occurred.

Of course, the FBI is standing by their story that they “got their man,” but given the circumstances of Dillinger’s death and some of the events that led up to it, their contemporary accounts may not be entirely believable. Dillinger pulled off a number of incredible escapes that were also incredibly embarrassing for J. Edgar Hoover’s nascent FBI. The worst of these was a shootout at the Little Bohemia Lodge in Wisconsin several months prior to the Biograph shooting. The FBI agents killed a WPA logger and wounded two others, thinking they were gang members trying to make a run for it. One of their own agents was killed by Baby Face Nelson, who also wounded another agent and a local lawman. IF the FBI had killed yet another innocent person in its pursuit of Dillinger, it would have been devastating for Hoover and the FBI. They certainly had a strong motive to conceal another screw-up, if that’s in fact what happened.

Also, perhaps not coincidentally, the History Channel has a documentary about Dillinger in the works right now. Call me cynical, but I suspect that the History Channel offered a bunch of money to the relatives in question to have them initiate the exhumation in order to promote their special.

While you’re calling me cynical, you might as well call me hypocritical, as I am looking to capitalize on this exhumation as much as the History Channel. In fact, I was thrilled to pieces when this story initially broke. From my point of view, the timing couldn’t be better. I’m also plotting a major promotion to take advantage of the actual exhumation, currently scheduled for mid-September

But I’ve got to admit that it makes me feel a little sleazy, too. Take a good look at the picture above, and consider the carnival atmosphere that surrounded this man’s death. That’s about to be repeated, and I suppose I’ll aim to get my slice of the sleaze. John Dillinger was a colorful character, and a true American in more ways than one. It seems wrong to dig him up for the sake of a cable TV special – or a self-published novel.

John Dillinger was a colorful character, and a true American in more ways than one. It seems wrong to dig him up for the sake of a cable TV special – or a self-published novel.

Of course, Dillinger was a massive publicity hound. He loved the attention that he got in the contemporary press, but it also pretty much guaranteed that he was not going to end his career any way but the hard way. Hell, he’d probably be pleased as punch to know that he’s still grabbing headlines 85 years later. Putative book sales notwithstanding, I’d be just as happy if they left that grave undisturbed.

The Return of John Dillinger

Amazing coincidence in timing here, but word got out yesterday that there are currently plans to exhume John Dillinger’s grave in Indianapolis!

The details are still thin on the ground, but Indy station WTHR reported yesterday that Dillinger’s nephew, Michael Thompson, officially requested to the state Department of Health that his famous gangster uncle’s body be exhumed. The request was granted, with the exhumation (and reburial) to take place on September 16.

Initially, Thompson, the Indiana Department of Health and Crown Point Cemetery were all tight-lipped about why they were going to dig up the Jackrabbit. Reports today have indicated that the History Channel is somehow involved in this effort, and that they are working on a documentary about Dillinger.

The details are still hazy, but I think there’s a good chance that this is related to the plot of Jackrabbit. [SPOILER ALERT] One of the main ideas of the novel is that it wasn’t really John Dillinger that was killed outside the Biograph, but a low-level criminal named Jimmy Lawrence. This theory has been kicking around for years; Jackrabbit was an exploration of how it might have happened.

One interesting piece of Dillinger lore is that Dillinger’s dad had him re-buried underneath several huge slabs of concrete. This was allegedly so that souvenir hunters wouldn’t be tempted to rob the grave. Conspiracy theorists surmise that John Dillinger Sr. (and other family members) knew that it wasn’t their relative in that grave, and that the concrete was placed there to prevent the FBI from discovering their mistake.

This is a very interesting development, and I will be following the story closely. I think a lot of other people will as well – I’ve already seen stories about this on CNN, Fox News, the Associated Press and the New York Times.

In the meantime, you can still download Jackrabbit for free from Amazon until midnight, July 31, by clicking THIS LINK.