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Tag: Self publishing

Preliminary Adventures with the Devil Box – Intelligence, Artificial and Otherwise

BIG NEWS!

My new novel, Fester Descent, is available now in paperback, eBook and audiobook.

Cover for Fester Descent
Fester Descent

This is the sequel to fan-favorite Fester, set twenty years after the events of the first book:

Twenty years after Fester, the town is still running on inertia and bad decisions. Everyone assumes things will work themselves out. They never do.

Bolly Bollinger is trying to keep his father’s auto shop afloat while the town’s last old-money family keeps raising the rent. His stress relief is a local tradition known as a “zoo run.” He roars past the Schmidt mansion at top speed, flips off history, and pretends that counts as control. One night, the response is a gunshot. Bolly survives, but the consequences don’t stop there.

When Candy Troutman—an informant at Mike’s Place, Fester’s notorious brothel—is found murdered in her bathtub, Chief Constable Martin Prieboy moves to contain the damage. He wants answers quickly, order restored, and the town reassured. Instead, he gets a case that resists simplicity and rewards the wrong assumptions.

As the investigation tightens, Fester looks elsewhere. A failing shopping mall stumbles into viral fame after a Fourth of July Fun Fair triggers supposed hauntings and an influx of ghost hunters. The events may even involve a long-dead Native American. No one agrees. Everyone has an opinion.

Meanwhile, a volatile heir to a dying dynasty retreats into weapons, paranoia, and his three pet monkeys. A disgraced former chief isolates himself with a Vietnam-era tank. The town keeps moving, convinced that spectacle counts as progress.

Caught between economic pressure, civic certainty, and a system that refuses to slow down, Bolly and Martin find themselves on opposite sides of momentum that no longer cares who gets crushed. Fester Descent is a darkly comic crime novel about small-town justice, institutional stubbornness, and the comfort of bad answers. Savage, satirical, and escalating with gleeful inevitability, it proves that in Fester, the truth isn’t hidden—it’s just less entertaining than the alternative.

The Devil Box

How about that description? Did you like it or dislike it? More importantly, did it make you want to buy and read the book?

I’ve been very leery of AI for a long time. Anything that made Stephen Hawking nervous seemed a good thing to approach with extreme caution. Therefore, I was never particularly interested in finding out much about it. Sure, people on my social media feeds were posting all manner of interesting images, animations and music. There was a time – and it doesn’t seem like it was that long ago, but it probably was – that I would have been all over those toys. But the older I get, the more of the ornery Luddite comes out in me. Perhaps it because, having experienced it from inception to now, I can see how the promise of the internet devolved to a rage-click disinformation engine. Rant! Rave! Kinds these days! With their hair and their music! Etc.

Of course, my attitude softened when it became apparent I could use ChatGPT to help me with something I really dislike doing: marketing my own novels. Specifically, coming up with blurbs for Amazon and other advertising platforms. This is like pulling teeth, and most authors I know despise it. How do you encapsulate a 100,000-word story that you’ve spent months if not years laboring over, and condense it into two paragraphs? And do so in a way that will help twig Amazon’s algorithms and quickly engage the interest of potential readers? Usually, it’s a numb slog of writing and re-writing the same hundred words – a dreary task at best.

My wife had been using ChatGPT to help her job search, so the Devil Box had already gained admission to the household noosphere. She had been having good success in crafting resumes and cover letters. As anyone who has searched for a job in the last decade or so would know, the trick is getting past the resume-screening algorithms and get your credentials in front of a person. Use an algorithm to beat an algorithm – seems like a fair trade.

It wasn’t too far of a hop to figure that ChatGPT should be able to help get a leg up on the Amazon algorithms as well, so I fed in the text for the back-cover blurb I had already written, as well as the major plot points of the story that I thought would pique a reader’s interest. It took a little bit of massaging, but I eventually came up with the little gem you see above. Time will tell whether the Devil Box will actually help me sell more books.

There’s more to be said on the use of AI in writing, but I think that can wait for another post. Right now, I’m way into Larry McMurtry’s Streets of Laredo, and want to get to the end of that puppy.


Just a Few More Minor Edits…

I’m in the home stretch to get Fester Descent edited and proofread ahead of the February 28 release date. It’s always a weird time during the revision of a book – trying to balance the desire to publish the best possible story with the fact that I’m sick unto death of reading it. The image above represents perhaps the fifth or sixth copy I’ve revised since the “final” draft was written.

I’ve also had a lot of good input, including from my wife NancyAnne and my Aunt Claudia who have graciously read the book with a sharp eye for spelling and punctuation errors – of which there is no shortage. I’m stiff finding plenty of errors as well. Most of those tabs are actually cutting the fat – removing excess and repetitive verbiage. Of which there is no shortage.

Now comes the most odious part of preparing the launch of a book – the marketing. Time to dive back into the sewer of algorithm necromancy and keyword conjuration. Also, I’ll be looking for beta readers, so if you’re interested, please drop me a line at crawford@sweetweaselwords.com.


Laughingstock
Sure, why not?

Holiday Greetings and Cover Reveal

Merry Christmas, Happy Holidays, and all similarly-oriented seasonal greetings. I hope that everyone has had an enjoyable holiday season and can find some time to rest, relax and generally get themselves ready for whatever 2026 is going to throw at us.

One thing coming at us in 2026 is my new novel Fester Descent, which is tentatively slated to be released at the end of February. I finished up the first draft of the MS earlier this year. Some timing miscues resulted in me sitting on it longer than I had intended, mainly because I had waited too long to get on the editor’s schedule. It was worth the wait to work with Paula Guran, though. She had edited the original Fester, and I learned a lot in the process. I was glad to be able to work with her again. I’ve spent most of the holiday so far reviewing her edits and getting the MS typeset. Now, it’s review time, where I read and re-read the novel to the point here I start to hate it.

But enough of that sorry action – here’s something much more interesting: the final cover design! I’ve actually beein sitting on this for over a month, but I wanted to wait until the MS came back from the editor and I had a clear idea of when the book will be available (2/28/26).

Here it is. Simple, but – I hope – intriguing. Who wouldn’t want to know what’s going on in a book with a tank, a monkey and a sexy leg on the cover?

Cover for Fester Descent
Fester Descent cover

Happy rest of your holidays and a propitious New Year. Hang on to your hat – hang on to your hope!


Sweet Weasel Weekend Update

I hadn’t intended on posting anything, but accidentally clicked “new post” rather than “new page,” so what the hell. I might as well tell you why I was adding pages – I’m back to working on Dungeon & Dragon, a serialized novella that got put on hold when I was in the throes of working on Fester Descent.

The latter is still a work in progress, but that progress is coming along nicely. The MS is in the capable hands of my favorite editor, and I’ll soon be getting ready for some test prints. Also, the cover is almost done; a cover reveal will hit soon. In the meantime, here’s a preview of the part I’m certain about:

That’s all for now. Be sure to check out Dungeon & Dragon, with new chapters hitting approximately weekly. Hang on for the holidays, friends!


Prepare to Descend

Snip of cover for Fester Descent

Greeting from “war-torn” Portland! I will forgo the tempting political editorializing and get right to the point: I’m done with Fester Descent.

For now.

I finished with the third draft, and was contemplating a fourth. The idea didn’t really appeal – I had been immersed in the story for months, and needed a break. So I decided that three drafts was enough, and I could let the editor deal with the mess as it was.

Unfortunately, I had dragged my feet a bit in getting on the editor’s calendar, so she won’t be able to get started on it for a few more weeks. It’s well worth the wait, I think. Her name is Paula Guran, and she did the editing on the original Fester. I would have loved to have had her on Laughingstock. She hadn’t been available, and I’d had to go with an unknown quantity – with predictable results. However, with the delay, the book will probably not be available until early in 2026.

Things are good and the cover is nearly complete. A teaser is included above. After I’m done procrastinating (any week now), I intend to pick up the thread of Dungeon & Dragon, and see if I can bring that story to some nonsensical conclusion. New chapters soon!

Maybe.


Fester
Read the sensation that started it all!

Cover Craft

Progress is being made on the latest MS; I’ve just completed editing the second draft of Fester Descent. The story’s tight, but could still use plenty of polishing. One polishing, coming up – but it’s also time to think about publishing and (UGH!) marketing the book.

I’ve already reached out to an editor who I’ve worked with before. She’s being cagey, as editors sometimes do. However, she did a bang-up job on Fester, and I’d rather work with her again than take my chances picking one randomly from Reedsy. That worked out very poorly on Laughingstock, and I’m not eager to recreate that experience.

While that drama is playing out, I’m looking at cover art – one of the most fun parts of self-publishing – mainly because I’m the one pointing our errors and demanding changes! No, it’s great to see how a written work will be represented graphically.

I found an organization that claimed that it could produce a professional-looking cover for a hundred bucks. Well, that just about fits my budget, so I thought I’d give it a go. (I’ll let you know the name of this organization once I’m satisfied with the work.) One bit of concern – will they use AI to create the artwork? There is a checkbox on the intake form about whether you want to avoid AI-generated content. It does not, however, specifically state that they won’t use AI if you check that box. I guess we’ll see.

Of course, conveying the intent of the book to the cover artists involved summarizing the book, which is something that many authors struggle with. I know I sure do. It needs to be done, so I got on it. Besides, this is just a clumsy explanation, but it will eventually morph into a reasonably decent back over blurb, and – eventually – a well-crafted Amazon Ads description.

I did submit an idea for a cover, based on some of the more interesting elements in the narrative. I asked the artists to create a cover that incorporates these three elements:

  • A brothel
  • An M50A1 tank
  • Upwards of three (3) monkeys

I’d like to think that a book cover with these elements just screams “great read!” Or maybe it will be something else entirely. We’ll see – stay tuned!


Laughingstock
Laughingstock cover – buy it now at https://www.amazon.com/dp/B0CTXWCX55

A Knotty Problem of Timing

After getting off to a slow start, I finally got up a bit of momentum on the second draft of my latest project. After re-writing one of the early chapters, it was pretty much just picking up the redlines I had marked up the Shitty First Draft – easy stuff. Then my timeline came back to haunt me.

I had learned about the importance of having an accurate timeline from Paula Guran, who edited Fester. She was merciless in addressing the timeline, among other things. (Shame she wasn’t available for Laughingstock, which was an editing nightmare.) I hope she’ll be available to edit Fester Descent.

But just in case, I’ve been keeping a tight timeline as I’m working through the second draft. This is where I pay for the sins of the SFD. Timing issues are just one of many sins, but arguably the most problematic. And as I learned with Fester, you don’t want these problems to linger too long or they, um, fester.

So I’m jumping on it right now, at my earliest convenience. (No point in worrying about it during the SFD; that’s all about getting words on paper.) When cranking on the SFD, I was only worried about the sequence, not the timing. I just knew that event A came before event B, and to hell with the details. Now I’m dealing with situations where a character gets shot, but his wife doesn’t visit him in the hospital for five days. Oops! Gotta fix that.

It’s a knot, I think – and it pays to un-knot the story as quickly as possible. You can sometimes shove the knot down the rope a bit, but you sure don’t want to shove it all the way to the end – because it gets begger the further you shove it.

I think I’ve worked the knot metaphor for about as much as I can. Best to call it good right here. More news to follow as I finish up Draft 2 and start to think about showing it to an editor. I can hardly wait.


The Thing

One of the things I’ve done this winter in lieu of writing, was to do something I haven’t done in about 45 years: build a model tank.

However, I wasn’t just acting like a 14-year-old, lurking in the basement, blasting Black Sabbath and gluing together squidgy little plastic parts of a tank replica. No, I was doing research.

This was in aid of the current work-in-progress, a sequel to Fester now using the working title Fester Descent. One of the initial mental images I had for this book was a column of tanks rolling through downtown Fester. (Pretty sure I copped this idea from the Book of the SubGenius, of which you should own several copies.)

Further consideration rendered the idea of a column of tanks too complicated, but a single tank should be much more manageable. And I already had a character to command that tank: Billy Snyder, the disgraced former Chief Constable of Fester. It had already been established that Billy had served with the Marines in Vietnam and that he was adept at procuring classified military hardware.

Then it became a matter of research: what type of tanks did the U.S. Marines use in Vietnam? There weren’t many choices, as that war did not see much in the way of armor battles. Then I hit upon the beauty seen at the top of the page: the M50 Ontos. The Ontos was used in Vietnam, and it was small, so it could conceivably be operated but just one whacked-out ex-cop. Best of all, it was weird.

The Ontos – Greek for thing – isn’t so much a tank as a mobile platform for a half-dozen recoilless rifles, with some sheet metal over top. That made the Ontos maneuverable and powerful – but also very vulnerable. It could go places other armored vehicles couldn’t, but was also vulnerable to any weapon more powerful than an assault rifle.

Of course, I had to also research under which circumstances the M50 was used in that war. It came down primarily to two engagements: the Battle of Khe Sanh and the Battle of Hue. The latter seemed more likely from a dramatic perspective, owing to the brutal building-to-building nature of that fight and the likelihood of using the Ontos to blow up buildings. After all, what do you think Billy Snyder is going to do with this piece of hardware? Hint: he’s not fixing it up for the Fester Veterans’ Day parade.

The research included a detailed investigation into the Battle of Hue in 1969. The research also stumbled across a plastic model of the Ontos. At 1:16 scale, it was large enough to boast a detailed interior. This was important, as I really wanted to know what it was like to ride around and fight in this thing.

The answer: awful. It was cramped, it must have been loud, and with the hatches closed, the only way to see or steer was through periscopes in the hatches. It also had to be difficult knowing that the armor was so paltry, to cut down on weight. One thing became apparent – the driver’s position (the one Billy had in the war) was the safest on the vehicle, since the engine compartment protected the driver’s right side.

It was an aggravatingly detailed model, and it took nearly three months to put together. After it was done, my wife asked if I was going to do any more. I said no way. One could be excused as research, but any more would just make it another pathetic middle-aged white-guy pastime, and I already have enough of those.


January is the Cruelest Month

For my money, T.S. Eliot had it wrong – January is the cruelest month. The warmth and light of the holidays are a rapidly-receding memory, the days are cold and the nights are long and summer couldn’t seem further away. And it’s so damn loooooong.

January, for me, has always been a time to hunker down and hibernate. Undertake as few obligations as possible (and absolutely no New Year’s resolutions), keep warm and curl up with as many books as possible. Lie fallow.

That’s exactly what I’ve been doing. I sure haven’t been doing a lot of writing. I somewhat painted myself into a corner with the balls to the wall writing blitzkrieg of NaNoWritMo, and have just been kicking around ideas how to resolve my plotting conundrum.

Also, I’ve been building a model tank. This is research – more on this once I’m done putting this blasted model together.

That’s it. Stay warm, stay safe, hold onto your hat and hold onto your hope.


NaNoWriMo: the Wrap-Up

In a previous post, I mentioned that I was going to attempt the NaNoWriMo Full Meal Deal. That is, I was going engage in the National Novel Writing Month challenge of writing 50,000 of a novel during the month of November. This breaks down to 1,667 words per day. This was pretty intimidating to me; I usually only crank out ~500 words per day in my usual laid-back style of writing. This was going to take courage! This was going to take discipline! Did I have what it takes? I wasn’t sure, and it was only at the last moment (literally, Halloween) did I toss my hat in the ring and commit myself to the NaNoWriMo challenge.

On November 1, I wrote 2,187 words. It didn’t seem that hard. On the 2nd, I wrote 2,031 words, just to prove to myself that it wasn’t just a fluke. After a few more days of 2000+ words per day, I decided to shoot for an overall goal of 60,000 words by the end of the month. And I did!

I had a work-in-progress: the sequel to Fester, which is currently using the working title of Descent. The manuscript had been off to a sluggish start, with a little under 25K words written in 5 months. NaNoWriMo seemed like it would be a great opportunity to give the project a boost.

And it did – but it was not without its challenges. I am a pantser when it comes to my writing. That is, I don’t do a lot of planning or outlining – I just fly by the seat of my pants. This typically isn’t a problem when I’m writing at my normally glacial pace, but it got to be an issue for NaNoWriMo.

One of the fun things about pantsing is that the story and characters will take off in directions I’d never conceived. It can be fun, but also frustrating. Cranking out 2,000 words a day in this mode can be a problem, however. I liken it to driving fast at night. The headlights can only illuminate so much of the road ahead; the faster you go, the less time you have to react. And I was going pretty fast, especially towards the end of the month. It felt like I was running out of road. Up until then, I’d had a pretty good idea what was going to happen over the next three or so chapters. Not so for the last week, where I was pantsing it to the max. The verbiage became verbose: I was shoveling adjectives and adverbs as much as I could.

In the end it was a good thing, though. Having to write something, even when I had no idea what it might be, definitely introduced some interesting elements into the story. My characters really had to bear the brunt of my word count goal!

At the end, it was a good thing. Tapping into my long-dormant overachiever tendencies, I kept going even when I’d met the 50K goal. I needed to collect all of the badges (see image above). And I did, just because I’m a Lisa Simpson-type geek.

More than that, it really helped me as a writer. First, it helped move my latest project along by getting 10 or 12 months’ worth of writing done in just one month. It also allowed me to understand how to deal with some serious production. I intend to keep moving Descent along sharply – but I’m taking a week off just to let things percolate in my subconscious. I have a lot of loose ends to tie up in the story now!