Merry Christmas, Happy Holidays, and all similarly-oriented seasonal greetings. I hope that everyone has had an enjoyable holiday season and can find some time to rest, relax and generally get themselves ready for whatever 2026 is going to throw at us.
One thing coming at us in 2026 is my new novel Fester Descent, which is tentatively slated to be released at the end of February. I finished up the first draft of the MS earlier this year. Some timing miscues resulted in me sitting on it longer than I had intended, mainly because I had waited too long to get on the editor’s schedule. It was worth the wait to work with Paula Guran, though. She had edited the original Fester, and I learned a lot in the process. I was glad to be able to work with her again. I’ve spent most of the holiday so far reviewing her edits and getting the MS typeset. Now, it’s review time, where I read and re-read the novel to the point here I start to hate it.
But enough of that sorry action – here’s something much more interesting: the final cover design! I’ve actually beein sitting on this for over a month, but I wanted to wait until the MS came back from the editor and I had a clear idea of when the book will be available (2/28/26).
Here it is. Simple, but – I hope – intriguing. Who wouldn’t want to know what’s going on in a book with a tank, a monkey and a sexy leg on the cover?
Fester Descent cover
Happy rest of your holidays and a propitious New Year. Hang on to your hat – hang on to your hope!
I hadn’t intended on posting anything, but accidentally clicked “new post” rather than “new page,” so what the hell. I might as well tell you why I was adding pages – I’m back to working on Dungeon & Dragon, a serialized novella that got put on hold when I was in the throes of working on Fester Descent.
The latter is still a work in progress, but that progress is coming along nicely. The MS is in the capable hands of my favorite editor, and I’ll soon be getting ready for some test prints. Also, the cover is almost done; a cover reveal will hit soon. In the meantime, here’s a preview of the part I’m certain about:
That’s all for now. Be sure to check out Dungeon & Dragon, with new chapters hitting approximately weekly. Hang on for the holidays, friends!
Greeting from “war-torn” Portland! I will forgo the tempting political editorializing and get right to the point: I’m done with Fester Descent.
For now.
I finished with the third draft, and was contemplating a fourth. The idea didn’t really appeal – I had been immersed in the story for months, and needed a break. So I decided that three drafts was enough, and I could let the editor deal with the mess as it was.
Unfortunately, I had dragged my feet a bit in getting on the editor’s calendar, so she won’t be able to get started on it for a few more weeks. It’s well worth the wait, I think. Her name is Paula Guran, and she did the editing on the original Fester. I would have loved to have had her on Laughingstock. She hadn’t been available, and I’d had to go with an unknown quantity – with predictable results. However, with the delay, the book will probably not be available until early in 2026.
Things are good and the cover is nearly complete. A teaser is included above. After I’m done procrastinating (any week now), I intend to pick up the thread of Dungeon & Dragon, and see if I can bring that story to some nonsensical conclusion. New chapters soon!
Progress is being made on the latest MS; I’ve just completed editing the second draft of Fester Descent. The story’s tight, but could still use plenty of polishing. One polishing, coming up – but it’s also time to think about publishing and (UGH!) marketing the book.
I’ve already reached out to an editor who I’ve worked with before. She’s being cagey, as editors sometimes do. However, she did a bang-up job on Fester, and I’d rather work with her again than take my chances picking one randomly from Reedsy. That worked out very poorly on Laughingstock, and I’m not eager to recreate that experience.
While that drama is playing out, I’m looking at cover art – one of the most fun parts of self-publishing – mainly because I’m the one pointing our errors and demanding changes! No, it’s great to see how a written work will be represented graphically.
I found an organization that claimed that it could produce a professional-looking cover for a hundred bucks. Well, that just about fits my budget, so I thought I’d give it a go. (I’ll let you know the name of this organization once I’m satisfied with the work.) One bit of concern – will they use AI to create the artwork? There is a checkbox on the intake form about whether you want to avoid AI-generated content. It does not, however, specifically state that they won’t use AI if you check that box. I guess we’ll see.
Of course, conveying the intent of the book to the cover artists involved summarizing the book, which is something that many authors struggle with. I know I sure do. It needs to be done, so I got on it. Besides, this is just a clumsy explanation, but it will eventually morph into a reasonably decent back over blurb, and – eventually – a well-crafted Amazon Ads description.
I did submit an idea for a cover, based on some of the more interesting elements in the narrative. I asked the artists to create a cover that incorporates these three elements:
A brothel
An M50A1 tank
Upwards of three (3) monkeys
I’d like to think that a book cover with these elements just screams “great read!” Or maybe it will be something else entirely. We’ll see – stay tuned!
After getting off to a slow start, I finally got up a bit of momentum on the second draft of my latest project. After re-writing one of the early chapters, it was pretty much just picking up the redlines I had marked up the Shitty First Draft – easy stuff. Then my timeline came back to haunt me.
I had learned about the importance of having an accurate timeline from Paula Guran, who edited Fester. She was merciless in addressing the timeline, among other things. (Shame she wasn’t available for Laughingstock,which was an editing nightmare.) I hope she’ll be available to edit Fester Descent.
But just in case, I’ve been keeping a tight timeline as I’m working through the second draft. This is where I pay for the sins of the SFD. Timing issues are just one of many sins, but arguably the most problematic. And as I learned with Fester, you don’t want these problems to linger too long or they, um, fester.
So I’m jumping on it right now, at my earliest convenience. (No point in worrying about it during the SFD; that’s all about getting words on paper.) When cranking on the SFD, I was only worried about the sequence, not the timing. I just knew that event A came before event B, and to hell with the details. Now I’m dealing with situations where a character gets shot, but his wife doesn’t visit him in the hospital for five days. Oops! Gotta fix that.
It’s a knot, I think – and it pays to un-knot the story as quickly as possible. You can sometimes shove the knot down the rope a bit, but you sure don’t want to shove it all the way to the end – because it gets begger the further you shove it.
I think I’ve worked the knot metaphor for about as much as I can. Best to call it good right here. More news to follow as I finish up Draft 2 and start to think about showing it to an editor. I can hardly wait.
After nearly two months, I’ve finally gotten through “editing” the Shitty First Draft of my latest MS, working title Fester Descent. Now, when I say “editing,” I really mean reading and redlining the text, and making notes for the next draft.
Frankly, it’s a little embarrassing that it took me so long to read through my own first draft. A nasty part of my mind tells me that a real writer would have gotten through the whole thing in a weekend.
In my defense, I have three good excuses as to the dilatory nature of my review:
I find it difficult reading my own writing, especially for extended periods
I had a whopper of a spring cold in May that sidelined me for nearly three weeks
I am monumentally lazy
However, now I’ve finished my review and now I have to write the Slightly Less Shitty Second Draft (SLSSD). Okay, I merely have to take a big breath and just start doing it.
Easier said than done, of course.
There is one thing that will make it a little easier: for a first draft, it’s not that bad. You never know what you’ll end up with at the end of a first draft, especially if you’re a pantser like I am. Usually, I end up with a large number of loose ends that have to be tied up, sometimes awkwardly. With this draft, that wasn’t so much of a problem. (OK, yeah, so I had to resort to a deux ex machina in the form of an Air National Guard F-16, but other than that…) Maybe it’s luck or maybe some small portion of accumulated skill, but it seems like things came together a lot more easily on this one.
That having been said, there is still a lot of polishing that needs to be done. Time to get down to it. Then sell some plasma so I can hire and editor.
I’ve discovered something about finishing the first draft of a novel: nobody really gives a rip but the writer. Which is understandable. For starters, nobody’s going to get to read it. There are only a handful of people who read any of my pre-publication manuscripts. The rest of you aren’t missing anything, believe me.
Nevertheless, I was mighty glad to be done with the Shitty First Draft (SFD) of my next novel. For starters, I finished it in less than a year, which is an amazing record for me, since I am essentially very lazy, and it usually takes me a long time to write anything. I fully credit this relatively fast writing time to my participation last year in National Novel Writing Month, or NaNoWriMo. This was great, as it allowed me to add 66,000 words to the MS in 30 days – a word count that normally would have taken my five or six months to produce with my normal glacial pace.
I had been meaning to participate in NaNoWriMo for years, and was glad that I actually took the plunge and did it in 2024, because it was recently announced that NaNoWriMo has gone bankrupt. A sad and sorry end to a 25-year-old institution whose laudable goal was to get authors to put words on pages. So long, NaNoWriMo.
The upside is that I now have a new MS brick to edit. I didn’t get started on revising it right away, however. First, I went back and reread Fester, as this is a sequel. Good thing I did, too – I had forgotten a number of important details of the original story that have an impact on the new one. The biggest was my faulty recollection that Billy Snyder had gone to prison following the shenanigans of Fester, when in fact he had used his J. Edgar Hoover-esque collection of intel and political dirt to keep his butt out of lockup.
Overall, I’m pretty well pleased with how the SFD came out. Usually, the end of the MS is a little chaotic at first, due primarily to my pantsing style of writing. This time, however, things resolved themselves with a relatively low level of chaos as I tried to weave the disparate story lines together. Despite – or perhaps because of – the mad rush of NaNoWriMo, the S-level is relatively low in this SFD. I think that with one more draft, I wouldn’t be embarrassed to show this to an editor.
Hot New Item! Audiobooks!
This just happened recently – all of my books are now available as audio books. People have been asking after this for years, but I have demurred. Mainly, I didn’t have the time or the interest or the money. It can be expensive to produce an audio book – especially if the other formats don’t sell that well. Sometimes people ask, “Why don’t you narrate it yourself? You have a good voice.” I do indeed have a face made for radio, but these folks grossly underestimate how much time is involved in recording – and especially editing – an audio file. My rule of thumb is that it takes eight times as long to prepare a presentation such as this as the length of the presentation. That is to say, if the recorded audio book runs ten hours, it would require eighty hours to record and properly edit. That’s a lot of extra work to snag extra sales that would net me enough each month to perhaps buy a 2-pack of Hot Pockets. If they were on sale. So, no thanks.
However, Amazon has made it easy now. They have a computer-generated narration tool that sounds pretty decent, and only takes a few minutes to convert the text to an audio file. Best of all – it’s free! Of course, it involves AI – something that I have been loath to involve myself with, but this was just too good to pass up. I tried it out on Laughingstock and it sounded pretty good, so I pulled the trigger and created audio versions of all my books. See below for an example.
One of the things I’ve done this winter in lieu of writing, was to do something I haven’t done in about 45 years: build a model tank.
However, I wasn’t just acting like a 14-year-old, lurking in the basement, blasting Black Sabbath and gluing together squidgy little plastic parts of a tank replica. No, I was doing research.
This was in aid of the current work-in-progress, a sequel to Fester now using the working title Fester Descent. One of the initial mental images I had for this book was a column of tanks rolling through downtown Fester. (Pretty sure I copped this idea from the Book of the SubGenius, of which you should own several copies.)
Further consideration rendered the idea of a column of tanks too complicated, but a single tank should be much more manageable. And I already had a character to command that tank: Billy Snyder, the disgraced former Chief Constable of Fester. It had already been established that Billy had served with the Marines in Vietnam and that he was adept at procuring classified military hardware.
Then it became a matter of research: what type of tanks did the U.S. Marines use in Vietnam? There weren’t many choices, as that war did not see much in the way of armor battles. Then I hit upon the beauty seen at the top of the page: the M50 Ontos. The Ontos was used in Vietnam, and it was small, so it could conceivably be operated but just one whacked-out ex-cop. Best of all, it was weird.
The Ontos – Greek for thing – isn’t so much a tank as a mobile platform for a half-dozen recoilless rifles, with some sheet metal over top. That made the Ontos maneuverable and powerful – but also very vulnerable. It could go places other armored vehicles couldn’t, but was also vulnerable to any weapon more powerful than an assault rifle.
Of course, I had to also research under which circumstances the M50 was used in that war. It came down primarily to two engagements: the Battle of Khe Sanh and the Battle of Hue. The latter seemed more likely from a dramatic perspective, owing to the brutal building-to-building nature of that fight and the likelihood of using the Ontos to blow up buildings. After all, what do you think Billy Snyder is going to do with this piece of hardware? Hint: he’s not fixing it up for the Fester Veterans’ Day parade.
The research included a detailed investigation into the Battle of Hue in 1969. The research also stumbled across a plastic model of the Ontos. At 1:16 scale, it was large enough to boast a detailed interior. This was important, as I really wanted to know what it was like to ride around and fight in this thing.
The answer: awful. It was cramped, it must have been loud, and with the hatches closed, the only way to see or steer was through periscopes in the hatches. It also had to be difficult knowing that the armor was so paltry, to cut down on weight. One thing became apparent – the driver’s position (the one Billy had in the war) was the safest on the vehicle, since the engine compartment protected the driver’s right side.
It was an aggravatingly detailed model, and it took nearly three months to put together. After it was done, my wife asked if I was going to do any more. I said no way. One could be excused as research, but any more would just make it another pathetic middle-aged white-guy pastime, and I already have enough of those.
For my money, T.S. Eliot had it wrong – January is the cruelest month. The warmth and light of the holidays are a rapidly-receding memory, the days are cold and the nights are long and summer couldn’t seem further away. And it’s so damn loooooong.
January, for me, has always been a time to hunker down and hibernate. Undertake as few obligations as possible (and absolutely no New Year’s resolutions), keep warm and curl up with as many books as possible. Lie fallow.
That’s exactly what I’ve been doing. I sure haven’t been doing a lot of writing. I somewhat painted myself into a corner with the balls to the wall writing blitzkrieg of NaNoWritMo, and have just been kicking around ideas how to resolve my plotting conundrum.
Also, I’ve been building a model tank. This is research – more on this once I’m done putting this blasted model together.
That’s it. Stay warm, stay safe, hold onto your hat and hold onto your hope.
It’s November, and for writing weenies like me, that means it’s time for National Novel Writing Month, or NaNoWriMo. The goal of NaNoWriMo is to write a 50,000 word novel during the month of November. I believe that earlier to get full credit for NaNoWriMo, you had to start with a blank slate (or manuscript) at the beginning of the month. Now they’re cool with works in progress, which was good for me, as I had the sequel to Fester sort of farting along in low gear. This seemed like a good opportunity to give the project a kick in the pants.
To get to 50K words in 30 days, that boils down to 1,667 words per day. That’s three or four times as many as I normally crank out in a writing session. I had done a truncated “personal goals” NaNoWriMo a few years ago – but that was only for 500 words per day. I made that goal, but to get full NaNoWriMo bragging rights, you need to hit that 50,000 word mark.
I’m nearly a week in, and I’m pleased to report that I’ve been able to keep up a solid 2,000 word a day pace without unduly straining my brain (or fingers). I know some professional writers who would scoff at this pace, but this is on top of a full 8-hour day of work. So, pffft.
So that’s it – I’m doing NaNoWriMo and I’m off to a good start. Will I maintain? Don’t know. I do know that I ought to be able to milk this topic for at least one intermediate post before I report the final disposition at the end of the month. See you soon!
